Never a Dull Moment — Year One in Review

New Years Day dawned unseasonably warm in New York City, with temperatures in the upper 50s and now the sun has emerged to add an almost festive aura to the first day of the rest of our lives. We have completed a full year in The City and thought it appropriate to review what we have done besides working and resisting [if interested in the latter, go to http://www.shiningseausa.com]. To put it mildly, 2018 was an extraordinary time for us. Here are some of the experiences we had.

As is well known, New York is a “walking city,” meaning that one walks to get most places. And walk, we did. Personally, I averaged 1.8 miles per day. Other data from those walks:

2,356  – Dog poop/pee avoided (there are bazillion dogs of every description here and few places to “go” but the sidewalks and streets, so they do)

242 – Days with unpredictable/unpredicted weather events

            17 – People who asked me for directions

    14 – Number of times I gave accurate directions

      3 – Number of people never heard from again

Other experiences:

DANCE COMPANIES

Continuum Contemporary/Ballet – see https://autumninnewyork.net/2018/06/18/ballet-bryant-park/

Paul Taylor Dance Company

Alvin Ailey American Dance Theater – Wife takes ballet lessons there

BALLETS

American Ballet Theater’s Firebird & AFTERITE

New York City Ballet’s Jewels

New York City Ballet’s Nutcracker

BROADWAY & OFF

Miss Saigon

Waitress

Band’s Visit

Book of Mormon

My Fair Lady

Avenue Q

King Kong

MARCHES

Women’s March

Families Together

March For Our Lives

JAZZ

Cyrus Chestnut

Jazz at Lincoln Center Orchestra

Bill Charlap

Chris Potter

Warren Wolf

SF Jazz Collective

OTHER MUSIC

Brandon Niederauer

MUSEUMS/ART

Photoville Brooklyn

Whitney

Natural History

Jerome Robbins at Lincoln Center Library

EVENTS & OTHER STUFF

High Line

Oculus & One World Observatory

U.S. Open

National Geographic Encounter: Ocean Odyssey

Chelsea Market

New York City Marathon

Macy’s Thanksgiving Parade Balloon Inflation

Macy’s Thanksgiving Parade

Ferry around Manhattan

Mets baseball game

Yankees game

Central Park Zoo

New York Botanical Garden

Central Park Zoo

Feast of San Gennaro

Christmas Lights/Windows/Rockefeller Center Tree

Street Fairs – several

Movies – several with reserved seats!

Stephen Colbert Late Show

Extras in a short indie movie: “Howard,” not yet released – see https://www.facebook.com/HowardTheMovie/

FAVORITE RESTAURANTS
Bricco – neighborhood Italian, small, quiet, great food

Greek Kitchen

SURPRISES

Mandarin Duck in Central Park

Lots of visits from out-of-town friends

This morning we walked in Central Park again and mused about how it felt like spring. Obviously we were intoxicated by the warmth. The crowds were small, likely because the one million people who spent New Years Day and night in Times Square were at home and unconscious. So it goes. We look forward to this 2019 with optimism – there is so much left to do. We hope to see some symphonies and other purely musical performances, and, of course, more ballets.

Happy New Year!

Ballet in Bryant Park

The first time I saw ballet performed was an exhibition in St. Petersburg many years ago. The performances were brief but spectacular, especially the leaps of the male performers. I had never seen anything to equal it, but it did not trigger a passion to see more. Indeed, I found the length and pace of the traditional ballets I later saw as a bit much, though, again, the artistry and sheer physical power of the performers was almost supernatural.

When we arrived in New York, one of the obvious benefits of our location was Lincoln Center, literally a few blocks from our apartment. And, miraculously, within months, the one ballet I really did want to see, Stravinsky’s The Firebird, was scheduled for the Metropolitan Opera House. The added treat was entitled AFTERITE, danced to Stravinsky’s The Rite of Spring, one of my favorite pieces of classical music, with Misty Copeland to boot! As a side note, we were so excited to see all this that we sprang, first time ever, for box seats. They turned out to be cramped and difficult for viewing unless you were in front row or elevated third row (we weren’t). I was also interested to observe that in order to enter the box at any time, an attendant, usually nearby, had to unlock the door. I kept thinking of Lincoln at Ford’s Theater. As a further and final side note, we didn’t much care for AFTERITE. Misty Copeland’s amazing talent was largely wasted as her role involved more standing and walking around the stage than dancing.

But I digress. All of the above being true, I remain an uninformed, inexpert observer of ballet,  but still awed by the superhuman effort, grace, athleticism and artistry of the dancers. So, facing Friday night with my wife out of town on business, I went to Bryant Park for what was advertised as a “A Night of Ballet, including a Master Class led by Cynthia Harvey, Artistic Director of the American Ballet Theatre Onassis School, a discussion of personal histories with two ABT Company dancers and performances by three local New York City ballet companies.

Bryant Park shares with the New York Public Library the rectangle bounded by 5th and 6th Avenues and West 40th and 42nd Streets. There is a lot going on there all the time. See http://bryantpark.org/

Arriving early, I snagged a seat in the first row, on the stage side of the rope separating the walkway from the Lawn in front of the Fountain Terrace. After the Master Class, in which I did not participate [contain your amusement] and the discussion, the first group of dancers came onto the stage. The first good shot I managed to get is the featured photo at the top of this post. There is nothing meaningful I can say about the extraordinary talent of these young dancers except that I was mesmerized. Rather than pretend to be a critic, for which I am, as noted above, grossly unqualified, I will let the photographs speak for themselves.

I’m just going to show a small sample of the shots I took that night. The first group, Continuum Contemporary/Ballet, danced Concerto Geloso to the amazing music of Vivaldi. The second “group” is just two dancers, from Doug Baum & Artists performing Tangle, and the final group is Da’Von Doane & The Artists of the Shift performing Dances for Brass: Sacred and Profane. These photos do not do full justice to the performance because they lack the music and the continuity of the moves, but I think you’ll get the idea.

 

 

Continuum Contemporary/Ballet

  Choreography: Donna Salgado

 Dancers: Laura DiOrio, Dorothea Garland, Shoko Fujita, Donna Salgado,

 Vanessa Salgado

Doug Baum & Artists

Choreography: Doug Baum

Dancers: Doug Baum, Katie Currier

Da’ Von Doane & The Artists of the Shift

Choreography: Da’ Von Doane

Dancers: Malik Berry, Daniel Cooke, Paunika Jones, Cortney Key, Courtney Cochran